Libros Antiguos, Raros y Curiosos – Historia – Otros: Ley de vagos y maleantes. coleccion leyes de la republica. Compra, venta y subastas de Otros en. LEY DE VAGOS, LIBRO-FOLLETO. LEY DE VAGOS Y MALEANTES,TEXTO ÍNTEGRO REPUBLICA. Published by Imprenta Borras,, Barcelona (). La ley de vagos y maleantes fue una ley del Orden Penal español de 4 de agosto de aprobada por las Cortes de la II República​ referente al tratamiento.

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Malexntes and Geisdorfer Feal eds. Her discussion of comics stems from this introduction of homophobic policies under Franco which, in the s, the Spanish government tried hard to erase and overcome.

Sippial review Sarah L. Queer Transitions in Contemporary Spanish Culture: This website uses cookies to ensure you get the best experience on our website. The main goal of Madriz was to try to reshape the identity of Madrid as a micro nation — as a community of progressive urbanites — and the comics promoted that value system.

This genre, long considered counter-cultural or marginal, can function either as the sharp edge of social change or the dull drone of conformity when it crosses path with the d.

At best, these discussions only pepper the larger discussion of the work of the abovementioned novelists. All content is mleantes ImageTexT – unless otherwise noted.

Built on the Johns Hopkins University Campus. The author interestingly claims that under oppressive authoritarianism the entire Spanish population was “feminized” through curfews, silencing and physical limitations; in other words, experiences that would normally be the terrain of women were applied to all.

Samuel review Carrie A. Its cross-cultural and cross-disciplinary character brings together original articles and critical reviews from historians, social scientists, and humanities scholars worldwide.

This essay is the intellectual property of the author and cannot be printed or distributed without the author’s express written permission other than excerpts for purposes consistent with Fair Use.

Johnson review Gabriel N. By placing “high” cultural texts, mainly novels, and “low” cultural texts, comics and film, in conversation she reveals how the leh of the queer should be read as both an effect of a reimagined democratic identity and, to a large degree, one directly responsible for the creation of that identity.



Vice Queens and White Slaves: Without cookies your experience may not be seamless. Project MUSE Mission Mapeantes MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. She analyzes the comic in particular because of its populist and urban connection as a cultural and ideological product.

She argues that the “homosexual” body can be read as a text upon which the government of Spain routinely inscribed its own nationalist propaganda from the end of fascism through emerging democracy she focuses on the s to the s. State U of N.

Rape in the Republic, — Male Sex Work and Society ed. She notes as an example, that the pre-war Ley relative a Vagos y Maleantes The Law of Vagrants and Thugs from does not mention homosexuality as a “crime,” but then, in post-war Spain, homosexuals are considered dangerous and subject to the legal reprisals of the work camp, segregation and surveillance. Interestingly, she finds that the state funded comic, Maleanteebecause its collective of artists had access to money, actually challenged social boundaries — sexism, homophobia, class and language — more than comics created by individual artists maleants survived through capitalism.

All authors and artists retain copyright unless otherwise noted. Because Madriz was always connected lye state power, the authenticity of these issues were open to question. Your browser does not appear to support JavaScript, or JavaScript is currently disabled. Books of Critical Interest pp.

Ley de vagos y maleantes – Wikidata

Please see our legal notice. Lley and the Founding Fathers: Ghost Stories for Darwin: Emotional Expression and the Construction of Heterosexuality: The material that best locates the particular contribution that comics made to the emerging democracy of Spain is not the study of fiction, but rather the initial chapter’s overview of fascist policies of nationalism and their necessary contrast to homosexuality.

This page uses JavaScript for certain types of content, so we strongly recommend that you enable JavaScript for browsing this site. However, as a study of fiction, it is quite interesting and effective.

The layout and design of this article is licensed under a Creative Commons License to ImageTexT ; note that this applies only to the design of this page and not to the content itself. All images are used with permission or are permissible under fair use. This chapter — “Franco’s Spain and the Self-Loathing Homosexual Model” — outlines both a general discussion of gender binaries that interpret masculinity as active and femininity as passive as well as the peculiarities of Spanish law that took jaleantes binaries and created repressive and regulatory structures to repress homosexual behavior, desires, and citizens.


Journal of the History of Sexuality.

Álvarez Jusué, Aurelio [WorldCat Identities]

Contact Contact Us Help. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the vahos and scholarly community it maleantse.

She believes it is necessary to consider the unspoken social effects of homophobia alongside the blatantly homophobic laws and policies of Spain in order to better appreciate how different artists, writers and filmmakers chose the “queer” subject as the road to freedom. Her choices are meant to demonstrate clear reinscriptions of gay, lesbian, bisexual and transgender bodies as signs of progress. To show the complex relationship of body to text sthe author chooses works that reflect the concerted effort of Vagod society to recover from the effects of fascism.

Nothing Natural Is Shameful: The author suggests that Franco imagined that the economic lag of s Spain, compared to the rest of Europe, was a direct result of its “feminized” position due to the homosexual “threat,” as opposed to the effects of fascism. From Franco to La Movida. Project MUSE promotes ely creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. JHS spans geographic and temporal boundaries, providing a much-needed forum for historical, critical, and theoretical research in its field.

Accordingly, documents repeat that masculine power is needed for government, maleamtes the church, for the military, and by extension for the nation as a whole. It does not accurately present a full study of “high” and “low” culture on an equal plane, as the author posits in her introduction.